If imitation is the sincerest form of flattery, then Snapchat is drowning in it. Twitter’s recent addition of “Fleets” to the top of their feed looks like what Instagram, Facebook, and Linkedin call “Stories,” and all of them work off the same principle that launched Snapchat to prominence: impermanence. It can be daunting to think that what goes up online never comes down, and the solution from every social app is now to offer a way to post temporarily. Now you can say what you like and dance how you please, knowing that after 24 hours the evidence will be gone and no one will be able to cancel you for it in twenty years. Usually the strings of temporary stories at the top of my news feeds are filled with simple pictures or short videos of everyday moments like stencilled coffees, beautiful sunsets, and random complaints. Sometimes they are encouraging thoughts or recommendations. Whatever they are, if you don’t look at them in their allotted time, you’ll miss them.Continue reading Snapchats, Stories, Fleets, and Glories
William Wilberforce was a British white man who was born into wealth, and quickly attained significant political power. He was elected as a Member of Parliament at the age of 21, while still a student. From such a position of privilege, what could Wilberforce ever legitimately say about racism? He had no personal experience of slavery. And yet, it was Wilberforce who spent most of his life and strength spearheading the effort to end the slave trade in the British Empire.Continue reading Two British White Men And The Foundations Of Racial Equality
We found a rope swing near our house. It’s hanging from a tree that is not on our property, in a field that is empty and waiting for development. Our neighbours showed us how to find the path where people walk their dogs, where the one tree stands alone in the middle of wide open green—a green studded with more wildflowers than we would have thought possible.
It’s not our garden, but our children can run there.Continue reading You Don’t Have To Own It To Enjoy It
We turned a corner, and the view opened up. From the porch of the ruined manor house we could see the cultivated gardens around the lake, fading into forests sheltered by distant mountains. We had to stop and stare. My ten year old son summed it up:
“I feel like I need to whisper. I don’t know why.”
Last Wednesday the anonymous British graffiti artist known as ‘Banksy’ sold a few prints at an auction in Paris. This is notable mainly because of what didn’t happen: the last time Banksy art was sold (earlier this month) it self-destructed only moments after the gavel went down on a bid of over a million British pounds. Banksy had installed a shredder inside the frame, which was remotely activated as soon as the sale was complete. It sounds a bit like the stuff of spy movies, and certainly was a first for the art world. Or was it?
Slow motion. A woman with her hair blowing in a light breeze walks confidently between library shelves packed with books. Where did the breeze come from? Nobody knows, but it doesn’t matter because the the camera has transported us to a laboratory, where a young man smiles to himself as he mixes chemicals. Is he remembering a joke from last night, or does he really enjoy chemistry that much? We can’t ask, because now we’re on the beach, and a well-dressed lady is picking up seaweed with some sort of oversized tweezers. She’s very happy about the seaweed. The music swells! Now we’re watching dirty men in jerseys fighting for victory. And then the happy people are gone, but not without leaving us with the distinct impression that going to a certain university will make every moment of every day nothing short of epic.