creation – sethlewis.ie

Transcendence, Inc

My children and I were heading home after a swim, when a work van caught my eye. It had “Transcendence, Inc” written across its side, but honestly, it didn’t look very transcendent. It was parked on the footpath between the hotel and the road, just like any regular old non-transcendent work van would be. A closer look at the smaller print confirmed that “Transcendence, Inc” was the name of a company offering high-end decorating and furnishing services.

That’s a clever name for that kind of business. And perhaps it’s true, in the very lowest sense of the word, of merely “transcending” our normal expectations with something a bit beyond them. I’ve seen furniture and decorating that really has gone beyond expectations, leaving me genuinely impressed. For a while.

Steeple Mountains

It was a Sunday afternoon in Killarney, and I was alone with no time pressure. In a situation like that, there’s no difficulty in knowing where to go—it has to be Killarney National Park. The paths are basically endless there, winding as they do through the mature forests that grow along the lakeshore and up into the mountains. The fields, the ruins, and the trees all have long histories, histories that bleed their weight and significance into the air and make quick steps—like mine—ring with impertinence.

My manners were mended when I was forced to step aside from the main path in deference for a horse that was pulling a jaunting car. As I waited, I noticed a narrow track worn into the ground at the very edge of the lake. This new way called to me with the eternal appeal of the road less travelled, and I was not disobedient. There were no horses on that tiny trail, and no other people, either. The sound of my own heavy feet on the ground was all I heard, accompanied by the occasional rustle of the leaves above me and the endless quiet splashing of rippled water against ragged outcroppings of rocks and roots beside me. When I stopped my noisy shoes on a protruding boulder, the stillness immediately enveloped me.

A Collection Of Incredible Creations

In researching and writing for my next book, “Everything Speaks: Learning the Language of Creation”, I have been constantly amazed at the detail and design of the world God put us in. Even now, there are songbirds outside my window flying effortlessly on perfectly crafted wings. There are plants that began as tiny seeds, and they’re out there converting sunlight into energy and releasing oxygen for me to breathe. There are worms aerating the soil and clouds watering the forests and galaxies are spinning and molecules are bonding and King David was right when he wrote that:

“The heavens declare the glory of God;
    the skies proclaim the work of his hands.
Day after day they pour forth speech;
    night after night they reveal knowledge.
They have no speech, they use no words;
    no sound is heard from them.
Yet their voice goes out into all the earth,
    their words to the ends of the world.” – Psalm 19:1-4

In the book, I want to explore how we can understand what God is saying to us through the things he has made. But for now, I’d like to share a few aspects of creation that I have found especially fascinating as I’ve researched. First of all, trees. Did you know that they can talk to each other? Research has shown that that there is much more going on in the forest than meets the eye:

After The Flood

When the children went to school last Wednesday, it was raining. This is Ireland. We’re used to rain. Met Éireann gave an orange weather warning, but that almost always just means a bit of gusty wind or extra rain. I barely noticed. It wasn’t until the afternoon that I realised that this time it was not just a little bit extra—it was a month’s worth of rain, in 24 hours. The ground, so green and lush and well-watered, refused to take any more. The rivers carried away what they could, but they couldn’t carry it fast enough. Their banks broke. The green fields quickly became brown lakes. Then the lakes came into the streets, and the streets became rivers. And rivers don’t knock before they come inside.

Inside Of The Painting (a poem)

I have a short poem for you today, and it requires some imagination—but not much.

Inside Of The Painting

What does it look like
Inside of the painting?
What would it be like
To live in that world?

An Announcement

It’s been a little over a year since “Dream Small” was released. It still amazes me that I had that opportunity to write at length about a topic I care so deeply about. And now today I get to share news with you about another writing project that I’m excited about.

Everything You Touch

I have a simple poem for you today, inspired by the beginnings of Spring that I’m starting to see around me:

Everything You Touch

Your hands
Flung stars
And stretched out space
Your fingertips
Shaped Earth and placed
A garden on
This small oasis
Bursting full of life

Hand-Crafted

A few months ago I was on a long flight over the ocean, and towards the end of it the airline attendants brought me a sandwich. When I looked closely at the plastic packaging I noticed that mine said it was “hand-crafted”, and that the bread was made using “authentic methods”. They must have passed out hundreds of “authentic” “hand-crafted” sandwiches that morning. I’m not really sure what those words mean exactly (what would an “inauthentic method” be?), but I know there’s part of me that does prefer to know that a human was involved in the process of making my food. Which is strange, to think of it—machines are pretty good at things, after all. With the right design and programming I’m sure they could be great at producing sandwiches. Probably better than a lot of people. I suppose the difference is that machines don’t care. A lot of people don’t care, either, but at least with a human there’s a chance. And that means something. It means so much, in fact, that the sandwich packaging said “hand-crafted”, not “machine perfected”. We like the thought of our lunch being made specially, with care, not just mindlessly mass-produced in a machine.

“Well, THAT was magic!”

When my second son was three, he didn’t walk—he marched. Everywhere. His stride may have been short, but it was full of confidence. I vividly remember the day he marched ahead of us into the grocery store, but had to pause as the automatic doors slid open. He watched them closely, then announced as a matter of fact: “Well, THAT was magic!” Then he marched through.

Was it magic? Not really. I know, and you know, and he knows now that he’s older, that automatic doors don’t operate on fairy dust. There is a mechanical, electrical explanation, and it all adds up and it all makes sense. Yes. But isn’t it amazing? The doors open themselves! It may not be magic in a technical sense, but isn’t there something magical about it?

Music And Lyrics

The world has a rhythm: a steady beat of seasons and sunrises, of tides and migrations and flowers and fruit.

The world has a melody: the beauty that stands out and demands our attention—the dawn chorus, the painted skies, the autumn colours and majestic peaks.

The world has a harmony: the subtle details that we hardly even notice, but they add richness and depth to the world, like the veins in a leaf, the scent in the grass, and the warmth in sunshine and fire.

The world is a symphony: exquisite and detailed and beautiful. But for all of its music, there is one thing that the world cannot supply on its own. The world has music—but it doesn’t have lyrics. That’s where we come in.