The Language of Rivers and Stars

While the children were off school this Easter our family took a trip to explore Mizen Head, the southernmost tip of Ireland. It’s a remote peninsula where the rocky, wild terrain is dotted with cottages of white or pale yellow and the land is a patchwork of squares and rectangles divided by low stone walls. Clusters of sheep and cows surround tiny villages with steeples in the middle and strings of houses and pubs and shops that might be out of eggs if you get there too late. At the southern point where the land runs out there’s an old signal station that’s become a tourist attraction, reached by a footbridge that stretches between impassable sea cliffs. When we walked across and looked down we saw three seals far below us, relaxing in a rocky inlet surrounded by towering, jagged rocks while the seagulls soared above our heads. In the far distance, we could just make out the shape of Fastnet Rock, a tiny island of stone where people managed—somehow—to build a lighthouse to warn those at sea of the ship-shattering dangers around them. At our feet the just-blooming sea-pinks waved in the breeze and I wondered again how these flowers manage—and even seem to prefer—to grow in places where there is so little soil and so much violent wind from the ever-turbulent ocean.

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Music And Lyrics

The world has a rhythm: a steady beat of seasons and sunrises, of tides and migrations and flowers and fruit.

The world has a melody: the beauty that stands out and demands our attention—the dawn chorus, the painted skies, the autumn colours and majestic peaks.

The world has a harmony: the subtle details that we hardly even notice, but they add richness and depth to the world, like the veins in a leaf, the scent in the grass, and the warmth in sunshine and fire.

The world is a symphony: exquisite and detailed and beautiful. But for all of its music, there is one thing that the world cannot supply on its own. The world has music—but it doesn’t have lyrics. That’s where we come in.

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