future – sethlewis.ie

Three Castle Head

On a sunny day in the Spring, we pulled the car into a gravel parking area at the end of a remote peninsula in Ireland. The sea shimmered in the light beyond the deep green fields lined and dotted with grey rock walls and white sheep. We opened the gate and crossed a field, and then another, and another, carefully following the faint paths worn by the feet of those who had come here before us. Sometimes we had to make a choice—it seems not all of our predecessors had gone the same way. Or did hooves make one trail, and feet another? Eventually the grassy fields gave way to rocky hills, and we scrambled up one side and down the other where the grass and mud and boulders and the sound of the sea all blend together into a kind of otherworldly magic and I had to remind myself that I wasn’t looking at an illustration of the Wild Lands of Narnia—I was in the real, tangible, wild of the actual world.

Time-Travel With Care

Time-travelling is one of the standard plot devices of our stories and films, from H.G. Well’s The Time Machine to Interstellar, Dr. Who, The Terminator, and hundreds more. It’s not hard to see the appeal—it’s interesting to imagine what it would be like to visit the world of the future or the past. It’s exciting to think of dipping into a different era, something totally unlike our normal everyday lives here and now. But it’s also easy to see the risks that this kind of time-travelling would bring with it. In the Back To The Future films, Doc Brown gives several stern warnings to Marty about the dangers and potential consequences of interfering with the past. He knows that time-travellers must be aware that even the smallest of actions can change the course of history in surprising ways—as we see in the films.

Lift Up Your Head

Halloween is a dark holiday, but I don’t find it very scary. Costumes and plastic skeletons don’t intimidate me. It’s all pretend, and for most people, the main point is sugar. I find the news headlines in my Twitter feed a lot more terrifying. Some of the themes are the same—darkness, death, and evil running free. I guess the decorative ghosts and tombstones and skeletons do contain an element of realism: there is real darkness in this world, and real death. At our point in history, there’s no question that the real skeletons on this planet outnumber the living humans by a long shot. That’s a sobering thought. And there are plenty of other fears for those of us who aren’t skeletons yet—from disease and disaster to dystopian decisions and disturbing trends and growing disorder and disunity, you don’t have to look far to get a fright these days.

In Luke 21, Jesus warned his disciples about difficult days that were coming. He said, “People will faint from terror, apprehensive of what is coming on the world.” Does that sound familiar? But he tells his disciples: “When these things begin to take place, stand up and lift up your heads, because your redemption is drawing near.”

the ruins of the future // spoken word poetry

I’ve always loved poetry as a medium, always felt that somehow the structure and rhythm of it helps me feel the impact of the meaning of the words more deeply. Maybe that’s why there is so much poetry in the Bible. This year I’ve enjoyed trying out the added layer of doing poetry as spoken word. It’s obviously homemade, but here’s my attempt at capturing a few thoughts about legacy: